When
I heard “Clair de Lune” for the first time a week ago, it was an orchestral
version performed by an orchestra with strings, winds and percussion. I
listened to a few solo versions, with instruments like the piano and harp, but
I still liked the full orchestra version the best. The orchestra opened “Clair
de Lune” with their upper woodwinds, and oboe, which depicted the floating feeling.
As the piece entered section B, the part with the augmenting and diminishing
chords and the strings were being added and created a push and pull feeling. When the piece reached its peak, and the arpeggios started again, the
upper woodwinds like Clarinet, Flute, and Oboe, and the Violins, once
again depicted the floating image. On the other hand, “Fast Forward” was
performed with only percussion instruments. The marimbas that “Fast Forward”
was performed on were made out of wood, and pipes were added at the end to help
the sound project. You could hear a little fuzzy sound between the bar and the
mallet because of the pipe. With this in mind, the soprano marimba had more
complicated parts because the sound did not take as long to travel as the bass
marimba would, who typically played quarter notes for a majority of the piece.
There were also shakers and drums added to the ensemble, but their purpose was
also to help keep time. A difference between marimba band and an orchestra
is, there is no conductor. The lead soprano player in a marimba band plays the
melody and when a certain section has been repeated a few times, the rest of
the band becomes aware that a transition is approaching, which is the why the soprano player both is the lead player and the conductor. Typically
most orchestras are much bigger than a marimba band, so to have one player take
on the responsibility of leading the group and playing their part may be quite
difficult. With a conductor’s help, more emotion is exerted from the piece, and
it ensures that everyone in the ensemble is playing together.
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